SWINGS (2022)
Swing, Installations, 14 corrugated galvanized steel sheets, gloss paint, 3000*50*0.5cm, Installations, 20 PVC strips 1700*200*5cm. Exhibition “Dialogue SFS Swing’nd Roll & Bubbles, Sylvie Fanchon, Morgane Tschiember” (curator: Noëlle Tissier), Centre Régional d’Art Contemporain, Sète, 2012. The viewer is free to step over or around the metal slats while exploring the work as a whole. This …
SWINGS (2012)
Installations, 14 corrugated galvanized steel sheets, gloss paint, 3000*50*0.5cm, Installations, 20 PVC strips 1700*200*5cm*. “ON THE LOOK OUT”, curator Gregory Lange, CAB Foundation, Brussels, Belgium, 2022-2023; “Le vent se lève” Curator Alexis Favre, MAC VAL, Ivry sur Seine, France, 2021; “Seuils” (curator: Claire Moulène), Fondation d’Entreprise Ricard, Paris, 2012; “Young International Artists”, Loft Sévigné, Paris, …
SOUND (2013)
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I’V BEEN HERE BEFORE (2021)
RITUAL OF TIME (2017)
Installation with candle, light, fire and sound For the Made By 4 Hands exhibition, Morgane and John wanted to continue the discussion that took place at the “Bagatelle” restaurant last year. a discussion that gave rise to their latest wallpaper inspired by the bill. They imagined what the result would have been had they stayed in …
RITUAL OF TIME (2018)
DUST DEVIL (2015)
Fer, béton, verre, poussière 176 x 113 x 80 pouces. Exposition “L’invention du désir” de Douglas Gordon, dans la galerie Kamel Mennour avec les artistes Marcel Duchamp, Man Ray, Pierre Molinier, Edward Ruscha et Gina Pane. La poussière est l’essence même de ce qui reste d’une vie et d’une activité humaine. Cette poussière encapsulée dans …
DUST DEVIL STRUCTURE (2015)
Iron, concrete, glass, dust 176 x 113 x 80 inches. Tracy Williams Gallery , New York Dust is the very essence of what’s left from a human life and activity. That dust encapsulated by the glass contains all the memory of some place, of someone… It looks as heavy and busy as one’s brain before …
OPEN SPACE (2016)
Collection of light sculptures, Carpenters Gallery, 2016 This work challenges our perception of form. They are angular light sculptures that contrast fluorescent tubes with simple concrete forms. The three-dimensional sculptures are made up of different concrete shapes which, when illuminated by tubes of white light, create new geometric forms. This series continues the relationship between …
EPIPHANIE (2018)
“All I had to do was be born to lose you a little less ” Rainer Maria Rilke, Nuit Blanche, Paris, Installation co-produced by Fondation d’entreprise Ricard Here, building materials are sublimated, with traces of construction still visible as scars that take into account the past, accidents and the history of objects. In the gardens of …
AS CLOSE AS YOU CAN (2017)
As close as you can for as long as it lasts, live performance, 2017, A call and response Land Artwork by Morgane Tschiember, Sounds by Douglas Gordon As part of the exhibition Elevation 1049, this work takes a questioning and artistic look at natural disasters. The reflection is constructed in the form of a call and …