BLAST (2015)
Blast, Temporary installation, paint, porcelain fragments, Variable dimensions Exhibition « Taboo », Musée des Beaux-Arts de Dole, 2015 Please select an image first to render the grid properly
BRICKS (2014-2015)
BLOCK (2009)
RUNNING BOND (2009)
UNSPECIFIC SPACE (2014)
FOLDED (2015)
Variable dimension “Morgane Tschiember, Folding Space”, Super window Project Gallery, Kyoto, 2010 “Armory Show”, Loevenbruck Galery, New York, 2013 “Super window Project”, Tokyo Art Fair, 2010 “I’m So Sad My God”, curator Martha Kirzenbaum, International Studio & Curatorial Program (ISCP), New York, 2009
FOLDED (2009-2013)
Variable dimension “Morgane Tschiember, Folding Space”, Super window Project Gallery, Kyoto, 2010 “Armory Show”, Loevenbruck Galery, New York, 2013 “Super window Project”, Tokyo Art Fair, 2010 “I’m So Sad My God”, curator Martha Kirzenbaum, International Studio & Curatorial Program (ISCP), New York, 2009
UNSPECIFIC SPACE (2010)
HONEY DROP (2018)
Honey drop, Solid flowing like liquids, blown and stretched glass, honey, butcher’s steel hanger. Exhibition « Honey Honey ! » auPortique, centre régional d’art contemporain du Havre In this way, Honey Drop plays on the correspondences and similarities between glass and honey. “Both materials are amorphous liquids. The viscosity of glass due to its melting point is …
I’V BEEN HERE BEFORE (2021)
18° SOUS L’HORIZON (2015)
EVERYBODY GETS LIGHTER (2023)
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RITUAL OF TIME (2017)
Installation with candle, light, fire and sound For the Made By 4 Hands exhibition, Morgane and John wanted to continue the discussion that took place at the “Bagatelle” restaurant last year. a discussion that gave rise to their latest wallpaper inspired by the bill. They imagined what the result would have been had they stayed in …
IN CONTACT WHILE BURNED (2021)
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L’HEURE ROSE (2017)
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RITUAL OF TIME (2018)
WHITE ON WHITE (2021)
THE REVERSE WORLD (2021)
Wax and dried flowers Exhibition Art Paris, Laurence Bernard Gallery, 2021 10 m x 10 m
LA VOIX PARFUM (2021)
The Miss Dior fragrance evokes thus relationship between the feminine and the masculine. The scent is feminine with its rose notes, but at the same time, this bottle has a very masculine side. To design it, I went to Murano and I worked with glassblowers.
THE FIRST SPACE (2019)
Exhibition Art Paris, Laurence Bernard Gallery, 2021 The metal sheets rest on the walls and play with the space. In my work, it’s all a question of relationships: relationships of light, relationships of force, relationships of matter, relationships of paint, and so on. On the other hand, emptiness is an integral part of my pieces. …
BUBBLES (2013)
Iron, concrete, glass, dust 176 x 113 x 80 inches. Exhibition “The invention of desire” by Douglas Gordon, in Kamel Mennour Gallery with artists Marcel Duchamp, Man Ray, Pierre Molinier, Edward Ruscha and Gina Pane. Dust is the very essence of what’s left from a human life and activity. That dust encapsulated by the glass …
BUBBLES (2014)
Installations Blown glass, wood, concrete, metal, dust Variable dimension “Dialogue SF Swing’nd Rolls & Bubbles”, curated by Noëlle Tissier, CRAC, Centre régional d’art contemporain, Sète; “Seuils”, curated by Claire Moulène, Fondation d’entreprise Ricard, Paris France A series born of simultaneous or successive attempts to integrate equipment or materials induced by their multiplication and accumulation.
BUBBLES (2012)
Installations Verre soufflé, bois, béton, métal, poussière Dimensions variables “Dialogue SF Swing’nd Rolls & Bubbles”, commissaire Noëlle Tissier, CRAC, Centre régional d’art contemporain, Sète ; “Seuils”, commissaire Claire Moulène, Fondation d’entreprise Ricard, Paris France Une série née d’essais simultanés ou successifs d’intégration d’équipements ou de matériaux induits par leur multiplication et leur accumulation.
DUST DEVIL (2015)
Fer, béton, verre, poussière 176 x 113 x 80 pouces. Exposition “L’invention du désir” de Douglas Gordon, dans la galerie Kamel Mennour avec les artistes Marcel Duchamp, Man Ray, Pierre Molinier, Edward Ruscha et Gina Pane. La poussière est l’essence même de ce qui reste d’une vie et d’une activité humaine. Cette poussière encapsulée dans …
DUST DEVIL STRUCTURE (2015)
Iron, concrete, glass, dust 176 x 113 x 80 inches. Tracy Williams Gallery , New York Dust is the very essence of what’s left from a human life and activity. That dust encapsulated by the glass contains all the memory of some place, of someone… It looks as heavy and busy as one’s brain before …
LA RINESCENTE WINDOWS TAKE OVER (2021)
La rinascente windows take over : Saint Laurent X Morgane Tschiember, 2021.
DISPLAY (2009)
Display, Polyptychs on shelves, 10 sheets (each), Painted aluminum, lacquer, varnish, Series of 5 copies, (Sheets : 21*29,7cm), (Shelves : 135*35cm) Exhibition : Galerie Loevenbruck, collective exhibition, 2009, Ultra Kyoto / Sugimoto House, 2010 ; « Super Window Project », 2010 ; « Suite » (curator : Patrice Joly), Zoo Gallery, Nantes, 2013. Private collection, series created by successive offshoots from the volume via the …
IRON MAIDEN (2007)
Iron Maiden, Sculptures, aluminum, lacquer, varnish, Series of 6 copies, variable dimensions Exhibition “Iron Maiden” Gallery Loevenbruck, Paris, 2008; “La même chose mais autrement. Miquel Mont, Gerwald Rockenschaub, Morgane Tschiember” Villa du parc, Anemasse, 2008; “Une exposition de peinture” (curator: Aude Launay), L’Atelier, Nantes, 2009; “Les inconnus dans la maison” (curator: Anne Dary), Musée des Beaux-Arts de …
OPEN SPACE (2016)
Collection of light sculptures, Carpenters Gallery, 2016 This work challenges our perception of form. They are angular light sculptures that contrast fluorescent tubes with simple concrete forms. The three-dimensional sculptures are made up of different concrete shapes which, when illuminated by tubes of white light, create new geometric forms. This series continues the relationship between …
LIGHT HOUSE (2013)
Light house, In situ intervention, Bunker, Concrete, 300 x 630cm “Variable Geometry” (curator: Baron Osuna), Parc du Domaine les Crayères, Reims, 2013 A casemate located in the park of a château that now serves as a hotel, which the artist had partially excavated, also evacuating brambles and miscellaneous rubble. More specifically, ou doubt, it is …